Why Eurovision Was Better in the 1960s: A Review

I didn’t watch the 2025 Eurovision Song Contest. Judging from the reports on the BBC and Sky News, I’m glad I didn’t. It’s about spectacle, not song.

Rewind 60 years ago to 1965. Here’s runner-up Kathy Kirby (née Catherine Ethel O’Rourke), who represented the United Kingdom at the Eurovision Song Contest.

Wow. Just wow. I love my female singers. Why hadn’t I heard of her before?

And here is France Gall (née Isabelle Geneviève Marie Anne Gall), the winner of the 1965 Eurovision Song Contest. Her entry was Serge Gainsbourg’s song Poupée de cire, poupée de son (wax doll, rag doll):

The good old days, when the Eurovision Song Contest was about music and songs. 🎵

#MusicMonday France Gall #France

France Gall was a French pop singer, one of the yé-yé girls of the 1960s, which included Françoise Hardy and Sylvie Vartan. She died earlier this month, on January 7, 2018, of an infection from cancer. She was age 70.

She shot to prominence when she won the Eurovision Song Contest in 1965, singing Serge Gainsbourg’s song Poupée de cire, poupée de son (wax doll, rag doll):

Wikipedia dissects the meaning of the lyrics of Poupée de cire, poupée de son: for example, poupée de son can also be interpreted as “singing doll.” The lyrics portray her as an ingenue, that is, “an innocent or unsophisticated young woman.”

Seule, parfois je soupire
Je me dis à quoi bon
Chanter ainsi l’amour sans raison
Sans rien connaître des garçons

In English:

Alone, I sometimes sigh
Thinking, what’s the point
Of singing love like this, without reason
Without knowing anything about boys?

Gainsbourg exploited her innocence with Les Sucettes or Lollipops, which is a thinly veiled allusion to oral sex. France Gall apparently wasn’t aware of the double entendre. In this video, she talks about the humiliation she suffered when she found out the double meaning of Les Sucettes:

Next week, I will pay tribute to American singer Keely Smith, who died last month, December 2017.